Venetian Ball at the Italian Embassy

One of the cool things to do in Washington DC is to attend events offered by the various foreign embassies.  For example, Rachelle and I visited the Mexican Cultural Institute for a Day of the Dead party in 2019 and attended a dinner at the Nicaraguan Embassy in 2023.  These kinds of evenings usually involve a dinner of that country’s cuisine, dances, speeches by dignitaries, and a chance to see the décor of the embassy.

In this case, we attended a Venetian-style ball at the Italian Embassy.  Venetian masks were encouraged, but we didn’t have any, so we went without. 

I don’t have many pictures from this event, but Rachelle looked lovely in her blue gown.  Here, Shelly stands next to an antique Roman sculpture of a male torso.  (Don’t worry, she’s only pretending to touch it for the photo; her hand is a good 6” or so in front of the sculpture.  We know better than to touch antique art!)

October 12, 2024

#USA, #WashingtonDC, #Italy, #Embassy

Ramon Casas painted a painting of himself and Romeu riding a tandem bicycle with a phrase in the upper right-hand corner: “to ride a bike, you can’t go with your back straight”.  They saw it as a way of saying that cultural breakthroughs require moving beyond the norms.  A copy of that painting is still on the walls of El Quatre Gats today (the original is in a museum).

Ramon Casas painted a painting of himself and Romeu riding a tandem bicycle with a phrase in the upper right-hand corner: “to ride a bike, you can’t go with your back straight”.  They saw it as a way of saying that cultural breakthroughs require moving beyond the norms.  A copy of that painting is still on the walls of El Quatre Gats today (the original is in a museum).

Romeu intended the cafe to serve more than mere food and drink.  He wanted it to be a place for “food of the spirit”.  He soon realized that dream as Els Quatre Gats became the favorite meeting place for the artsy/literary set of Modernisme-mad Barcelona.  This included Antonin Gaudi, the architect responsible for Park Guell, the beginnings of the La Sagrada Familia basilica, and several other Modernisme-style residences in Barcelona.

A 17-year-old who was new to town also became attracted to the artsy ambience of Els Quatre Gats.  His name was Pablo Picasso.  He drank in the influence of the older artists around him.  Perhaps he was inspired by the bicycle painting’s caption about breaking tradition.  He held his very first art exhibition, about 100 paintings, in the main room of Els Quatre Gats.  And, of course, he would later become VERY famous for breaking all known conventions in art.

Romeu intended the cafe to serve more than mere food and drink.  He wanted it to be a place for “food of the spirit”.  He soon realized that dream as Els Quatre Gats became the favorite meeting place for the artsy/literary set of Modernisme-mad Barcelona.  This included Antonin Gaudi, the architect responsible for Park Guell, the beginnings of the La Sagrada Familia basilica, and several other Modernisme-style residences in Barcelona.

A 17-year-old who was new to town also became attracted to the artsy ambience of Els Quatre Gats.  His name was Pablo Picasso.  He drank in the influence of the older artists around him.  Perhaps he was inspired by the bicycle painting’s caption about breaking tradition.  He held his very first art exhibition, about 100 paintings, in the main room of Els Quatre Gats.  And, of course, he would later become VERY famous for breaking all known conventions in art.

Els Quatre Gats hosted art exhibitions, literary and musi evenings, poetry readings, and puppet shows.  It was hugely popular.  Unfortunately, Simon was perhaps better at art than running a business.  He provided meals to friends at a discount, or gave them away.  After six short years, Els Quatre Gats was forced to close in June 1903.

Casas and Utrillo kept its influence going with a literary magazine, but Els Quatre Gats as a cafe slumbered for almost 90 years.  Following the death of dictator General Francisco Franco in 1975,  three businessmen ( Pere Moto, Ricard Alsina, and Ana Verdeguer) decided to re-create Els Quatre Gats in its original location in the Casa Martí building and also re-create its original decor and appearance.  They argued in a proposal to the Spanish government that Els Quatre Gats was an important piece of Barcelona’s cultural history and should not be lost.  The cafe reopened in 1978 and restoration to its original appearance was completed in 1991.

Today, Els Quatre Gats prides itself on providing traditional Catalan dishes.  Piano music fills the air every evening.  It still holds sketching contests.  Both locals and tourists fill the dining rooms and enjoy the cafe’s ambience on a daily basis.